تأصيل الفنون البديعية في كتب البديعيات
Rooting the Creative Arts in the Books of the Creative Arts (Badi'iyyat)
- الباحث
- ياسين نايف طه عبد الله الجميلي
- المشرف
- إبراهيم محمد محمود الحمداني
- الجامعة
- جامعة الموصل
- الكلية / القسم
- كلية التربية للعلوم الإنسانية / اللغة العربية
- الشهادة
- دكتوراه
- السنة
- 2024
- لغة الرسالة
- عربي
- الكلمات المفتاحية
- الفنون البديعية; البديعيات; البلاغة العربية; الأدب العربي
Abstract
This thesis, entitled (The Rooting of the Innovative Arts in the Books of the Badiyyat), is an original, analytical study of the art of the Badiyyat, which has formed a unique literary phenomenon since the eighth century AH, to reveal the nature of this art and its origins, and to identify the most important sayings that were said about it, as the Badiyyat brought about a remarkable development in The poem of prophetic praise, it represented an important stage in the stages that prophetic praise went through. Because it combined the two trends (literary and rhetorical), the literary trend represented the result of the transformation in the poem of praise of the Prophet, through which the poets composed long poems in praise of the Prophet Muhammad, may God bless him and grant him peace, expressing their great love, strong emotions, and sensitive feelings towards the Noble Prophet, may God bless him and grant him peace. As for the rhetorical trend, it was represented by the keenness of the organizers of the Badiyat to employ rhetorical arts in their poems. Especially the creative arts, and working to include them in the verses of the creative poem, taking into account the foundations and components adopted in the creative ones. Then I explained the approach of the masters of the ingenious in employing the ingenious arts, whether in systems or in the ingenious explanations. Then I moved on to rooting the ingenious arts in the ingenious books on which the study was based, by extrapolating the concepts that were said in each art of the science of the ingenious, and rooting those concepts and examining them. In the books of rhetoric first, then moving on to the books of innovations, taking the descriptive historical approach as a path in defining concepts, then I worked to extrapolate the wonderful evidences that were organized in every art, B analyze examples of them, and clarify the wonderful image in them, relying on one’s own taste in choosing the model, One of the results of this research was the possibility of studying the creative arts, rooting them and analyzing their evidence. The study came in an introduction and three chapters. The introduction included four axes, specializing in the concept of the Badiyyat, its foundations and components, its origin and origins, the sign of the Badiyyat with prophetic praises, and the impact of Burda al-Busayri on it. The first chapter was based on two sections, in which I dealt with the approach of the Badiyyat owners in employing the arts in terms of organization and explanation. It revealed the recruitment mechanisms in addition to the use of evidence in them. The second chapter was concerned with rooting the verbal exquisite arts, which included thirty-five exquisite arts. The third chapter was concerned with the intangible exquisite arts, as thirty-nine exquisite arts were rooted in it. The letter concluded with a conclusion in which I explained the most important findings of the research, while making some recommendations that serve our Arabic language in general and Arabic rhetoric in particular, especially the rooting of the remaining arts.
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