التناص الديني في شعر عبد الأمير خليل مراد الحربي

الباحث

رقية عبد الكاظم سلمان الجنابي

المشرف

مثنى عبد الرسول الشكري

الجامعة

جامعة بابل

الكلية / القسم

كلية العلوم الإسلامية / لغة القرآن

الشهادة

ماجستير

السنة

2023

لغة الرسالة

عربي

الكلمات المفتاحية

التناص الديني; عبد الأمير خليل مراد; الشعر العراقي; النقد الأدبي

Poetry has had an impact on the lives of nations intellectually, socially, politically, and religiously, as it was said about it in the past that it is the newspaper of the nation and the record of its heritage, and this is another characteristic that is attributed to it, in addition to the influence we have mentioned. There is no doubt that the literary scene, especially the field of modern criticism, has achieved a high level in recent decades, and this is due to its reliance on modern methods of description and analysis, as the relationship between the speaker and the recipient has become a relationship based on dialogue and communication, as the discourse between them does not arise from a vacuum, but rather for reasons. Intentions are governed by temporal and spatial frameworks and cultural contextual conditions . Therefore, the term intertextuality came as a luminous sign in modern literary criticism and a bright sign in revealing the poetic texts reflecting on their forefathers from the previous texts. The creative texts of poets do not come from a vacuum, as they must be absorbed and enlightened from previous or contemporary texts, from which they draw their juices. To generate from her womb new texts that have a great impact on the recipient, as it is not difficult for the reader to comprehend them; As long as it leans and relies on what is familiar to him, whether it is (the Holy Qur’an, the Prophet’s hadith, the holy books, or the heritage), then it becomes more aesthetic and credible. Critics called this phenomenon the term intertextuality, which began to appear in the West in the sixties of the twentieth century, and that the Arabs later used the same term after a while, but in our heritage, it was familiar under the concept of (thefts), and that the process of taking and inclusion began from Previous or contemporary texts vary among creators. The new production depends on the amount of what the writer - the creator - possesses from the various sources of culture, which come from his reading stock and his breadth of knowledge. related to his life or reflected on his poetic experience, so these data are considered a real support, which he invests after he bestows his ideas and intentions on them, so these ideas appear clear and tangible on the surface of the new creative text at times, and hidden that only the shrewd reader can touch them at other times, as the good reader can dive in the apertures of the text, and then decodes it and refers it to the original texts from which the new text is imbibed. The poet Abd al-Amir Khalil Murad is considered one of the contemporary poets who focused on the diverse religious tributary, as he read the religious heritage and mixed it with the present, so he made his texts share with past times and events, his goal is to explore a pattern that unites the text (absent) and (present), without compromising In meaning or extravagance in form, depending on his religious and literary culture, his texts were consistent with this religious heritage .

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رقم الهاتف

البريد الإلكتروني

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