تمثلات الهوية في شعر أحمد بخيت
The Representations of Identity in the Poetry of Ahmed Bakhit
- الباحث
- سارة محمود محمد صالح موسى
- المشرف
- غانم صالح سلطان الحمداني
- الجامعة
- جامعة الموصل
- الكلية / القسم
- كلية التربية للعلوم الإنسانية / اللغة العربية
- الشهادة
- دكتوراه
- السنة
- 2024
- لغة الرسالة
- عربي
- الكلمات المفتاحية
- تمثلات الهوية; أحمد بخيت; الشعر العربي المعاصر; النقد الأدبي
Abstract
Identity in poetry is a complex concept addressed by poets in various ways. It embodies the self and existence, encompassing factors such as culture, history, geography, and personal experiences. Poetry can serve as a means to explore and embody individual and collective identity. The research problem revolves around the fundamental question of how identity is embodied in the poetry of Ahmed Bukhat, and how Bukhat represents the concept of identity in his poetry. It becomes clear that the research will involve a deep study of the concept of identity in Ahmed Bukhat's poetry, examining Bukhat's interaction with the cultural and social context. A comprehensive research methodology will be followed to allow for a thorough analysis of the concept of identity in Ahmed Bukhat's poetry, employing an integrative approach and drawing on critical methodologies such as analytical, psychological, social, and philosophical. This will involve the analysis of Ahmed Bukhat's poems, with the chosen title "Identity in the Poetry of Ahmed Bukhat" proposed by the supervisor, Dr. Ghanem Saleh Al-Hamdani. The unique contribution lies in Ahmed Bukhat being one of the most important poets in the Arab world, with his poetry representing the spirit of contemporary Sufi poetry. Therefore, the aim of this thesis is to explore the concept of identity in Ahmed Bukhat's poetry and how it is embodied and expressed in his poems. Therefore, the thesis will address a collection of Ahmed Bukhat's poems, for which a specific structure has been outlined. It includes an introduction where the researcher defined the research constants in terms of language, terminology, identity, and representations. Then, in the first chapter, the researcher addressed national identity along two axes: aspiration and appropriation. Following that, the second chapter dealt with religious identity, and the third chapter encompassed artistic identity in terms of concept and characteristics. The research boundaries were delimited to two poetic collections by Ahmed Bukhat, covering his entire poetry. As for the sources used, they varied due to the diverse structure of the research, including well-known Arabic dictionaries such as "Lisan al-Arab" and "Taj al- Arus," among others, as general sources. Among the specific sources were "Literature in Sufi Heritage" by Mohammed Abdel Monem Khafaji, "The Issue of Identity, Arabism, Islam, and the West" by Mohammed Abid Al-Jabri, and "Killer Identities: Readings in Belonging and Globalization" by Amin Maalouf. In this manner, the thesis aimed to shed light on how identity is embodied in Ahmed Bukhat's poetry and the extent to which this embodiment influences our understanding of identity in contemporary Arabic literature as a whole. Finally, I extend my sincere gratitude and appreciation to my professors and supervisors, and to all those who guided me with knowledge, whether through encouragement or guidance. May God reward them abundantly.
طلب نسخة من الملف
الملفات غير منشورة على الموقع. اترك بياناتك وسيتواصل معك موظفو قسم الشؤون الثقافية والفنون لإرسال النسخة مجاناً.