السرد في قصيدة النثر العراقية فاضل العزاوي وسركون بولص أنموذجاً

The Narration in the Iraqi Prose Poem: Fadhil Al-Azzawi and Sargon Poulos as an Example
البحث في الرسائل
الباحث
محمد حسين جاسم جبري
المشرف
أحمد مجيد شاكر البصام
الجامعة
جامعة الكوفة
الكلية / القسم
التربية الأساسية / اللغة العربية
الشهادة
ماجستير
السنة
2022
لغة الرسالة
عربي
الكلمات المفتاحية
قصيدة النثر;السرد;فاضل العزاوي;سركون بولص

Abstract

After this strenuous reading in the sixties Iraqi prose poem by Fadhil Al-Azzawi and Sargon Poulos, the study resulted in a number of findings, perhaps the most important of which are: -The term prose poem contained a clear confusion between concept and vision, as it would have been more appropriate to call this poetic form “free poetry” in accordance with its Western concept. - The relationship of the prose poem with the narration is a strong relationship, as there is no prose without narration, yet the narration in the poem did not overcome its poetic intensity, it was dissolved in its poetry, so that the narration would be the hidden fabric that connects all the elements of the text constructively and semantically. -The character in the Iraqi prose poem of each Fadhil Al-Azzawi and Sargon Poulos represented an essential element in the construction of events and a reference for the elements of the narrative text in terms of structure as a main and secondary character, and in terms of its reference significance and its miraculous and tragic patter, to presented to the reader. -Time paradox in the structure of the poem is an important technique that contributed to linking events and revealing the inner worlds of the characters and presenting them in terms of retrieval. In terms of proceeding, it participated in increasing expectation level for the reader and giving the poem important element that help in enlighten the poem such as suspense and surprise. -Permanence in the poem time represented the textual space, and it worked to achieve the most important features of the prose poem to achieve the principle of brevity, metaphor and density, through acceleration represented by deletion and summarization, while the slow motion contributed to submitting information and revealing the characters for the reader so that to reveal the poetic dimensions. - Recurrence contributed to text brevity, presenting characters to the reader, and linking the events of the text to achieve the organic unity in the poem. -The event, in poem, represents a starting point that took a sequential narrative line, and was also a supporting factor for the overall connotation of the text inclusive. -The place, with its patterns, represented an important symbol in the construction of the poem, through which the two poets presented the vision to the inner and outer world, -The place, in all its types, represents an important symbol to create a poem, by which both poets submitted the vision of inner and the external world revealing their feelings and emotions. - The place was described in a suggestive poetic language based on the element of suggestion and symbol to create a poetic atmosphere suitable for the nature of the poem., as the poet’s vision is an objective vision.... -The Iraqi prose poem represented by both poets relied on all kinds of focus. The zero focus was represented by the knowledgeable narrator presenting the events from a perspective with a vision from behind, revealing the thoughts of the characters and their worlds and what is on their minds. -The narrated to represented an element parallel to the narrator in the poem and an integral element of the Iraqi prose poem for each of the two poets; his presence in the poem is a necessary element, whether it is theatrical, semi- theatrical, or not; To reveal the self-conflict of the main characters in the poem and to show their thoughts and feelings.

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