الرجل في شعر نازك الملائكة ولميعة عباس عمارة (دراسة موازنة)

Men in the Poetry of Nazik Al-Mela'ekah and Lemee'ah Abbas Emarah: A Balance Study
البحث في الرسائل
الباحث
نجلاء حسين وناس السعيدي
المشرف
جولان حسين جودي
الجامعة
جامعة الكوفة
الكلية / القسم
الآداب / اللغة العربية
الشهادة
ماجستير
السنة
2022
لغة الرسالة
A
الكلمات المفتاحية
الرجل;نازك الملائكة;لميعة عباس عمارة;دراسة موازنة

Abstract

This study deals with a subject that is rarely dealt with by the researchers which is man in the poetry of women where there is a lot of female poets deal with man in their poetry. Investing the concept of man, within a balance study, was restricted to two great and famous poets: Nazik Al-Mela’ekah and Lemee’ah Abbas Emarah, via throwing light on the elements affecting their cultural and social personalities, in the preface. While in the first chapter, the researcher reviews the feminist vision of man by discussing the gender and man reality in the Arab society then the Feminism and its literary and critical results and how did those two poets rebel, within this movement, against man reality. The second chapter studied man’s images manifestations in their poetry with the artistic formation of man via the depictive, linguistic and musical formation. In the conclusion, the researcher concludes that each poet has her own vision towards man, then her own way to express the concept in her poetry; Nazik has an ideal, romantic, pessimistic and rebellion vision, while Lemee’ah has a realistic, rebellion and more optimistic vision, each has her authority to consider disposing woman in front of man domination, and expressing the varied images of man in her life and their visions technically. Hence, Nazik has more logical images that the scattered images became close throughout the relation that is formed between the two parties: the far and the removed. The images of Lemee’ah are simpler and less complicated, that is to say words shape is more fluent and has closer elements that the image expressing man is more effective and sometimes based on paradoxes and gathering things that have no connection. This is applied on the poetic lexicon and the musical formation for the two poets.

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