اللغة الشعرية عند شعراء عصر صدر الإسلام
The Poetic Language of the Poets of the Era of Early Islam
- الباحث
- نواف سعد سالم طه
- المشرف
- سالم محمد ذنون
- الجامعة
- جامعة الموصل
- الكلية / القسم
- التربية للعلوم الإنسانية / اللغة العربية
- الشهادة
- دكتوراه
- السنة
- 2023
- لغة الرسالة
- A
- الكلمات المفتاحية
- اللغة الشعرية;صدر الإسلام;الشعر العربي;الأدب العربي
Abstract
The poetic language considers as a broad literary field and it has multiple and many aspects. It is governed by the conception of the contemporary critical theory. We have studied in our thesis. " Poetry Language in Islam’s beginning poets, " according to the literary opinions and critical opinions about its varieties varieties definitions . - We dealt with it on three axes 1- Chapter one dealt with the words " pronunciations " because it considers the main core in building and structure of poetic text. 2- Chapter two dealt with " poetic image " described it as the active , vital and important element in dealing and spread the poetic text according to the graphic vision , it divided to three parts : a. simile b. metaphor c. personification 3- Chapter three dealt with (( Musical Rhythm )) according to study of the sound and tone effect to the text from the little sound which is morpheme, then the largest , then the syllables reach the poetic meter and rhyme. This study attempted to analyze the intellectual content and the aesthetic of the literary Islamic , it noticed that some of the poets were interested in verbal construction and another were interested in imagination and photography while others were interested in rhythm and tone in order to complete the theory of the poetry language in Islam’s beginning poets. Poetics an old and modern term at the same time and the origin of the term in its first emergence to Aristotle while the concept has diversified by the term itself , although it is confined to a general idea that is summarized in the search for laws scientific that creativity control. On B the one hand , it appears – a single concept with different terms and this matter appears – prominent in our Arab critical heritage , and we encounter different concepts with one term on the other hand and this matter appears in the western critical heritage more clearly. The first aspect is summed up in the general concept of poetics ( the search for the laws of creativity ) and it has taken different terms , including : Aristotle’s poetics , Al-Jurjani’s facing the Carthaginians , poetic sayings based on simulation and imagination at Al - Cartageny. The second aspect is summarized in the frame work of the term ( poetics ) itself , with different perceptions of the secret of creativity and equivalence according to R. Jakobson , the theory of deviation according to J. Cohen and the theory of gap: tension distance according kamal Abu Deeb.
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