الفضاء في روايات بيات مرعي

Space in the Novels of Bayat Merhi

الباحث: حسام ابراهيم محمود حسين
المشرف: فيصل غازي محمد النعيمي
الجامعة: جامعة الموصل
الكلية / القسم: كلية التربية للعلوم الانسانية / قسم اللغة العربية
الشهادة: ماجستير
السنة: 2023
لغة الرسالة: عربي
الكلمات المفتاحية: الفضاء الروائي ; بيات مرعي ; الرواية العراقية ; السرد

Abstract

fy Abstract foo The novel is considered the most widespread and influential literary genre in contemporary literary life, due to its artistic elements that contributed to this spread and effectiveness. Perhaps the most important of them is its openness to other literary genres and its ability to depict the real life of societies. Space is one of the important elements in the artistic and narrative construction of the novel, because of its impact on this construction and a direct impact in drawing the spatial and temporal image of the novel, as well as the relationships (space) with the fictional character and the relationship based on influence and mutual influence between them, and this is what prompted us to study (space). And try to apply it to the novel. Our selection of the two novels of the Mosul writer (Bayat Merhi) came for many reasons related to the status of this writer in the contemporary Mosul cultural arena and the importance of these two novels, which portrayed the social, cultural and political life in the city of Mosul in recent years, as well as what prompted us to study these two novels because criticism did not direct them in any study Academic, which made this sample a new field of study. The thesis plan within the framework of the methodological plan included an introduction, a preface, three chapters, a conclusion, and a list of sources and references. The introduction came in two axes, the first dealt with space at the level of concept, procedure, and the historical and critical development of this concept with an indication of the terminological limit of the fictional space, and the second axis dealt with a summary of the life and creative biography of the writer (Bayat Merhi). As for the first chapter, it came under the title (the place) and was divided into two sections. The first topic came under the title (intersecting سوهطمل يبب ل ببس مم fy Abstract foo binaries) and dealt with the issue of (the domestic place and the hostile place) and (the place of residence and the place of moving). As for the second topic (describing the place), we dealt with the process of describing the place and describing the mechanisms of investigation and selection, with an indication of the dialectical relationship between description and narration and the conditions in which the narration is directed to the description. As for the second chapter (time), it also came with two chapters, the first (the temporal paradox) in which we explained the basic paradox movements, namely (recall) through its functions, types, extent, and capacity, and (anticipation) through its functions and types, specifically the preliminary anticipation and anticipation as an advertisement. As for the second topic, it was about (temporal rhythm) with its four movements that work together to form the temporal permanence of the fictional text. They are the narrative acceleration movements (deletion and summary) and the narrative slowing movements (the dialogue scene and the descriptive pause). As for the third chapter (vision), it was about the problematic of this narrative element between vision, point of view, and focus, and it was divided in accordance with the first and second chapters. Also (the accompanying vision, the vision from behind, and the vision from the outside). It must be noted here that this systematic division of the message plan came in line with the boundaries cut by (Mikhail Bakhtin) for the fictional space and made it include time, place and vision through which the forms of space and time are determined. SS BO O—

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