توظيف الموروث في شعر أبي فراس الحمداني
Employment of Heritage in the Poetry of Abu Firas Al-Hamdani
- الباحث
- بيداء خلف موسى محمد
- المشرف
- يسرى إسماعيل إبراهيم
- الجامعة
- جامعة الموصل
- الكلية / القسم
- كلية التربية للبنات / اللغة العربية
- الشهادة
- ماجستير
- السنة
- 2022
- لغة الرسالة
- عربي
- الكلمات المفتاحية
- الموروث ; أبو فراس الحمداني ; التناص ; الشعر العباسي
Abstract
A The legacy of all kinds was important to the scholars, because of the clear imprint left on literature by his poetry and prose.... The heritage is no longer confined to what the first left of the other, but has become linked to the human behavior and civilized life of groups and individuals, and has become a rich stock that belongs to the poets, the poem became formed within the framework of the juxtaposition between reality and heritage; I found in the poetry of Abu Firas al-Hamdani a wonderful employment of the heritage, as the legacy is a rich tributary of the poetic text and this is what made the old and modern critics care about the heritage in all its forms, and emphasize the role in giving the text an aesthetic and intellectual dimension, and the poet Abu Firas benefited from the legacy like most great poets as he employed him in order to empty his vision and his position on society and life, The presence of the heritage in abu Firas's poetry was not a pure documentary presence, but the poet alluded to the heritage of a hint beyond the character of the report and direct, which added to its text of course aesthetically, in addition to the fact that Abu Firas's reclining on some historical incidents, personalities and literary texts made there a enamel between the past and the present, whether this ion is negative or positive, as Abu Firas did not adhere to the historical sequence of events, characters or texts, as he employed them in one poem, Sometimes we see him resorting to the upward approach in employing him, starting from the recent past and then to the far and far, or resorting to the descending style, beginning with the mention of the oldest and then the old, because he is not a historian, but an artist who B begins with what he finds more supportive of his vision, whether it is a near or distant past, We find that sometimes the poet adopts a novel among many novels because that novel is more expressive of his concerns and vision and does not justify the reason for employing this novel alone because, as we mentioned, he is not a historian to mention multiple novels and justifies his adoption of a novel only, and abu Firas's employment of literary texts was not identical, sometimes the employment appears at a linguistic and visionary level and sometimes only mentions the creator to refer the memory of the recipient to the previous text, and sometimes to flip the data of the previous text from Yes, to present a vision contrary to his predecessors.
طلب نسخة من الملف
الملفات غير منشورة على الموقع. اترك بياناتك وسيتواصل معك موظفو قسم الشؤون الثقافية والفنون لإرسال النسخة مجاناً.