التصوير البياني في رواية الحدود البرية لميسلون هادي
Graphic Imagery in the Novel "The Wild Frontier" by Maysaloon Hadi
- الباحث
- فاطمة سالم محمد خليل النعيمي
- المشرف
- عدنان عبد السلام الأسعد
- الجامعة
- جامعة الموصل
- الكلية / القسم
- كلية التربية للبنات / اللغة العربية
- الشهادة
- ماجستير
- السنة
- 2023
- لغة الرسالة
- عربي
- الكلمات المفتاحية
- التصوير البياني ; الرواية العراقية ; ميسلون هادي ; الحدود البرية
Abstract
ادلقدهح -a- This dissertation, entitled “Photography in the Wild Borders” by Maysaloon Hadi, deals with the study of the graphic arts contained in it. Graphic photography - as is known to all - is the pillar of Arabic rhetoric, and the revealer of the secrets of its structures. Graphic arts reveal the contents of literary expressions, which are means and tools in the hands of the writer. He formulates his creative work, and this is what we find with Maysaloon Hadi in this novel of hers, and therefore we preferred to divide the treatise into four chapters preceded by an introduction, where we dealt in the introduction with what is the statement and what is graphic imagery, and the novel and its rhetoric, and an overview of the life of the novelist Maysaloon Hadi, and talk about her novel, content and idea. As for the first chapter, it was about analogy imagery, and it included two chapters, the first: singular imagery, and the second: composite imagery. The second chapter dealt with metaphorical imagery, and it also included two topics. The first: imagery with declarative metaphor. The second chapter dealt with metaphorical imagery. The third chapter dealt with metaphorical imagery, and included two topics. Metaphorical imagery, and it also included two sections, the first: imagery in the sent metaphor, and the second: imagery in the mental metaphor, then a conclusion in which we summarized the results.
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