الثنائيات الضدية في شعر سبط ابن التعاويذي (ت 583هـ)

الباحث

نهى خير الدين سعيد العبيدي

المشرف

فارس ياسين محمد الحمداني

الجامعة

جامعة الموصل

الكلية / القسم

كلية الآداب / اللغة العربية

الشهادة

ماجستير

السنة

2022

لغة الرسالة

عربي

الكلمات المفتاحية

الثنائيات الضدية ; سبط ابن التعاويذي ; الشعر العباسي ; التضاد

A Critical concepts have been important analytical phenomena in exposing meaning, and they have been studied by critics in the text's approaches. Those concepts include the antonyms that preoccupied critics and their field of study and research. Based on this importance and its vitality, we were attracted to search for them by studying Arabic poetic text that is full of meaning, poetry concerns, and the events of its time and environment, which is the text of the poet (Sabt Ibnul-Taawithi) which did not receive a great deal of study and analysis, as he had poetic and literary products worth studying. Critical notions have been studied by critics in the text's approaches as important analytical phenomena in exposing meaning. The antonyms that preoccupied critics, as well as their field of study and investigation, are among those themes. We were drawn to look for them by studying Arabic poetic text that is full of meaning, poetry concerns, and events of its time and environment, which is the text of the poet (Sabt Ibnul- Taawithi), which has received little study and analysis despite the fact that he produced poetic and literary works worth studying. The current study is a critical study of the poetic text in the context of antonyms in order to explain and analyze it. The significance of the poet's choice is based on the significance of the Hijri 6th century poetry movement, which had a clear impact on the prosperity of the scientific, literary, and cultural movements, as well as moving the wheel of this era to eliminate the vulnerability and dislocation experienced by the Islamic Nation as a result of the Crusades. In the field of poetry, poets have been influenced by the events of this century. They have documented their findings and kept track of their development. As a result, poets' data have emerged and diversified according to the B traditional poetry purposes and meanings, which have touched on every aspect of life. The emergence of princes, ministers, and successors alongside poets who sat, celebrated, heard, and influenced them, giving them media voices and strengthening their thrones and power, was one of the most important factors that contributed to the formation of an influential poetry movement in this century because their lives were closely connected to them, their councils became a field of science and literature. As a result, the 6th century of Hijra was defined by its literary richness and number of poets, as well as a prolific creative output in all poetry topics, as well as the evolution of words and the range of their meanings. The poet (Sabt Ibnul-Taawithi) is one of the most prominent poets who have committed these councils to their poets, princes, ministers, and caliphs. He gets science from the original sources, therefore he has got a high degree in science and literature. His poetry product is varied with antonyms that added to his collections diversity and inclusiveness of all poetry purposes with superiority of the purposes of praise and complaint and added to his poetic texts beauty and splendor. The research required an introduction, three chapters, and a conclusion, which contained two parts, the first of which was titled: (Antonyms as a Critical Term); to expose the scope of this term's presence in ancient and modern Arabic and Western critical studies. The second was named (A View of the Poet's Life), and it featured a study of his environment, which had a significant impact on the development of science and literature in him since he was a child. In Chapter One, titled "Antonyms and Praise (Power and Experience)," the poet (Sabt Ibnul-Taawithi) was described as one of the poets of his time who was most relevant to caliphs and ministers; he accompanied their work and praised them with several poems, remembering their renewed conquests with simple antonyms words and pleasant music. He frequently closed it with pride in his lyrical talent to draw the attention of the person being praised to him in order to double the presents and awards, such as: (Salahuddin Al-Ayyoubi, Emad Zanki, Al-Mustanjid Billah, and Al-Nasser Lideenallah, etc.). The chapter included two sections: The first was entitled: Antonyms and Generosity (Value and Model). The poet painted images of the praised printed with the character of generosity because he is so many giving and generous, and the second section: Antonyms and Courage (Value and Juvenile) in which he addressed the courage and strength of the praised and the strength of his heart, his daring, his authority and his prestige in his society and his heroes in the war arena. Chapter Two, entitled "Antonyms and Values of Beauty (Women and Nature)", studied the relevance of the poet to the values of beauty and their association with the antonyms from which the poet used to use their meaning to refer to his praise or complain. The chapter included two sections: The first was entitled "Antonyms and Women (Beauty and Value") in which the researcher spoke about the role of antonyms in depicting the poet's relationship with women and their impact on his life, his flirting was traditionally often commended to delight and soothe souls, the second was entitled: Antonyms against Nature (Shine and Beauty) in which we talked about nature's role in poetic meanings at the poet collection. The third chapter was marked by Antonyms and the Complainant's Ego (Pain and Loss), in which we demonstrated the role of the subject of psychological and emotional expression in depicting the adverse meanings and their impact on his poems. The chapter includes two D sections: Antonyms and Lamentation (Truth and Fiction), and Antonyms and Complaint (Reality and Experience) in which we talked about the role of (Lamentation and Complaint) in formulating poetic antonyms of (I) and its effect on poetic connotations in a manner in which the power of rhetoric is far from vulgarity with sincerity and heat.

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البريد الإلكتروني

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