الذاكرة في شعر عبد الوهاب إسماعيل

الباحث

وسن زينو حمد خليل النعيمي

المشرف

إخلاص محمود عبدالله

الجامعة

جامعة الموصل

الكلية / القسم

كلية الآداب / اللغة العربية

الشهادة

دكتوراه

السنة

2022

لغة الرسالة

عربي

الكلمات المفتاحية

الذاكرة ; عبد الوهاب إسماعيل ; الشعر العراقي المعاصر ; الزمن

A One can say that memory emerged from the field of psychological, philosophical and social studies, because it was responsible for understanding the human personality ,its activities as well as determining its identity. Later, it began to grow up and develop in many directions, especially literary, because of its great importance in enriching creative texts. It also carries the data and the memories, feelings and visions it reduces, and without the memory, these immortal literature and texts would not have been born. All of these reasons prompted us to study memory. This subject talks about “The Memory in Abdel Wahab Ismail’s Poetry. The reason which makes us to choose him as a subject is his modernist conductor poet who enjoys with a language brimming with symbols and signs. His poets also open to the space for interpretation and multiple readings. His poetry show us the memory which is full of childhood atmospheres and the vocabulary of the local environment, and it is based emotions, whether it is individual, personal or collective. He took the religious heritage that gave his poems credibility and certainty, as well as invested the literary, popular and historical heritage, which indicates the depth of his memory and his temporal dimension. The importance and objectives of the study stem from the poet's ability, culture and intelligence, who played an active role in selecting the appropriate material suitable for the text body, which made him recalled material a creative opportunity to invest it in a creative way that fertilizes his literary texts, and enriches them with previous texts and memories. B It was committed to analyzing and deconstructing the poetic texts of the poet Abdel Wahab Ismail who is knowing their personal secrets, and revealing their special implications. All of these points assist the reader in understanding the production process, and decoding it using the poet’s divan, in which he collected all his poetry collections, with the selection of models for study and analysis. This paper is divided into two chapters and a conclusion. Aded to these , a preface which we touched on the definitions of linguistic and idiomatic memory, then mentioning them in psychological, philosophical and social studies. One can say that without it, the creator cannot communicate his ideas and experiences to the reader after subjecting them to a set of variables, additions and modifications. The first chapter talks about the poet’s memorable intertextuality , and it is divided into three sections. The first one dealt with the Quranic intertextualties due to their frequent occurrence in the poet’s poetry which makes him to reach his goal. The second section talks about the intertextuality with other literary texts that formed a poetic repository for the poet and his memory. The third one talks about historical and popular intertextuality as they are among the original social and cultural legacies. The poet recalled in his memory some events, historical figures as well as ancient Arab tribes in order to get his purpose of this intertextuality as well as to enrich his poetic experience with proverbs among people. Second chapter talks about the poet’s autobiographical memory, and divided into three sections. The first section studied the childhood memories that the poet lived in. The poet embodied them in his texts and revealed his life, childhood and dreams, as well as family and occasions. He tries to reveal us his relationship with that family and the extent of his love and affiliation with it, mentioning what relates to their rituals and customs as a problem. Biographical and a historian of the date of his birth in many places, especially in the Gregorian poem in which he mentions his original birth at the time of composing the poem. Second section talks about the special biographical places that recorded a purely privacy of the poet, including the general biographical Iraqi place which described in terms and expressions that express his love and attachment to him. He also mentioned his city of Mosul with poetic texts and words. It confirms his love to the place of his birth, and the location of his family, companions and relatives, and he records his sad and joyful memories in it. So he recalled the places which he visited, and embodied it in texts, including: (Al-Sham, Al-Raqqa, Aleppo) and others about a spatial biography full of presence in his memory. The last section talks about presence and absence of people in the poet’s texts because this duality occupied a space in his poetry. So we confined ourselves to life and death. He also showed how he was affected by their loss, he conjured them with a painful memory. Finally we conclude the paper with recording details of events and positions of the poet, his family and his country.

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رقم الهاتف

البريد الإلكتروني

الغرض من الطلب (اختياري)

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